“A journey through the twelve transcendental studies.
Why are these studies transcendent? They are because they penetrate, reveal the hidden. Lisztian’s virtuosity is launched against sound matter with such violence that it overflows its limits, breaking its formalizing bonds until it is unraveled. His virtuosity offers him not only a model for developing the technical possibilities of the piano but also, and above all, the means to properly mold Liszt’s revolutionary poetic contents.”
Disponible en: Serouj Kradjian